I absolutally loved Spider-Man: Into The Spider-Verse. I’d even go so far as it say it’s the best Spider-Man film yet! It worked on so many diffirent levels and introduced cinema goers to some more great Marvel characters. Given the success of the Spider-Verse film it seems pretty certain a sequle is on the way.Continue reading “Gemr – 5 Characters We Want to See in Spider-Verse 2”
I didn’t do too well with my plans of posting a monthly wrap-up, so I thought that maybe I’d try something a little more manageable; a wrap up of the year that was.
2018 was quite a year for me personally. My wife and I moved from one city to another, I finally made the decision to get out of teaching and into another profession which, after roughly five months of very little work, happened. And I’m so much happier because of it. Oh, and I started getting paid to write articles on geeky stuff for Gemr.com. Awesome!Continue reading “2018 Wrap Up”
Recently I picked up the magazine The 100 Greatest Graphic Novels of All Time! magazine from Future Publishing. I thought it’d be interesting to go through the magazine and see which ones I’d read and which ones I needed to. The magazine was very well written with some really thoughtful commentary on the books presented within resulting in my “to read” list gaining quite a few additions.
While the magazine covered many great graphic novels – and indeed you’d need a slew of magazines to cover all the graphic novels that you should read in a lifetime – there were of course a few of my personal favourites left off. Thus, I thought I’d write up my own list.
Variant covers for comic book issues have been a staple of the industry for some time now. The first comic book to have a variant cover was 1986’s The Man of Steel #1. While there were technically variants before this, they were all due to small differences such as distributor logo. Man of Steel #1 was the first to receive variant artwork, which is what variants are mostly known for nowadays.
Variants played something of a not unsubstantial role in the “spectator boom” of comics in the 1990’s. There are a lot of pieces to the spectator boom puzzle which I won’t go into here, but if you’re interested you can read this great article by Michael McCallum on ComicBooked.com.
To give a brief history of the boom, people suddenly got the idea that buying a comic and holding on to it for 10, 20, or 50 years would eventually put their kids through university or pay off their house. Big firms such as the Wall Street Journal and the New York Times wrote articles about the possible future value of these once unpalatable items and so people started buying comics by the armful.